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Cavins Guitars

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San Francisco

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eNom, Inc.

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37.77

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-122.39

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104.28.16.83

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Images

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133

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Alternative text: Close up of guitar soundboard showing sunburst coloration and belly bridge.
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Alternative text: Close up of guitar soundboard showing sunburst coloration and belly bridge.
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Alternative text: Front view of no22, a grand concert in red spruce and sugar maple with a toned finish.
Image source: /wp-content/uploads/2017/07/no22_DSC2202-181x300.jpg
Alternative text: Front view of no22, a grand concert in red spruce and sugar maple with a toned finish.
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Alternative text: Rear view of no22, a grand concert in red spruce and sugar maple with a toned finish.
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Alternative text: Rear view of no22, a grand concert in red spruce and sugar maple with a toned finish.
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Alternative text: Close up of guitar soundboard showing sunburst coloration and belly bridge.
Image source: /wp-content/uploads/2017/07/no22_DSC2209-300x199.jpg
Alternative text: Close up of guitar soundboard showing sunburst coloration and belly bridge.
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Alternative text: I hand-applied a sunburst finish to this sugar maple body using water-soluble wood dyes.
Image source: /wp-content/uploads/2017/07/no22_DSC2211-197x300.jpg
Alternative text: I hand-applied a sunburst finish to this sugar maple body using water-soluble wood dyes.
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Alternative text: Closeup of inlayed dots on a guitar fretboard.
Image source: /wp-content/uploads/2017/07/no22_DSC2205-300x199.jpg
Alternative text: Closeup of inlayed dots on a guitar fretboard.
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Alternative text: Closeup of guitar headstock.
Image source: /wp-content/uploads/2017/07/no22_DSC2207-199x300.jpg
Alternative text: Closeup of guitar headstock.
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Alternative text: A view of the rosewood end graft.
Image source: /wp-content/uploads/2016/10/end-graft-sycamore-sides-back-1928-766x300.jpg
Alternative text: A view of the rosewood end graft.
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Alternative text: The Adirondack spruce tops shows virtually no run out and beautiful silking.
Image source: /wp-content/uploads/2016/10/sycamore-sides-adirondack-top-1924-300x199.jpg
Alternative text: The Adirondack spruce tops shows virtually no run out and beautiful silking.
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Alternative text: Rosewood binding forms the edges of this American sycamore guitar.
Image source: /wp-content/uploads/2016/10/sycamore-back-sides-1922-300x199.jpg
Alternative text: Rosewood binding forms the edges of this American sycamore guitar.
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Alternative text: A view of the rosewood end graft.
Image source: /wp-content/uploads/2016/10/end-graft-sycamore-sides-back-1928-300x199.jpg
Alternative text: A view of the rosewood end graft.
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Alternative text: The mostly finished maple neck.
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Alternative text: The mostly finished maple neck.
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Alternative text: The mostly finished maple headstock.
Image source: /wp-content/uploads/2016/10/maple-headstock-1932-300x199.jpg
Alternative text: The mostly finished maple headstock.
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Alternative text: A guitar bridge in progress.
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Alternative text: A guitar bridge in progress.
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Alternative text: A partially shaped pyramid-style guitar bridge.
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Alternative text: A partially shaped pyramid-style guitar bridge.
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Alternative text: A pyramid-style guitar bridge in progress.
Image source: /wp-content/uploads/2016/10/african-blackwood-bridge-filed-1936-300x199.jpg
Alternative text: A pyramid-style guitar bridge in progress.
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Alternative text: The binding and purfling need to be bent before attempting to install them.
Image source: /wp-content/uploads/2016/09/DSC1857a-766x300.jpg
Alternative text: The binding and purfling need to be bent before attempting to install them.
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Alternative text: Top and back plates of a guitar showing the braces.
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Alternative text: Top and back plates of a guitar showing the braces.
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Alternative text: The sycamore back is attached to the rim assembly first.
Image source: /wp-content/uploads/2016/09/DSC1843a-235x300.jpg
Alternative text: The sycamore back is attached to the rim assembly first.
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Alternative text: The channel for the back binding has been routed.
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Alternative text: The channel for the back binding has been routed.
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Alternative text: The binding and purfling need to be bent before attempting to install them.
Image source: /wp-content/uploads/2016/09/DSC1857a-300x197.jpg
Alternative text: The binding and purfling need to be bent before attempting to install them.
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Alternative text: I work the neck with a spokeshave, forming facets that echo the general profile to be refined later by rasp.
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Alternative text: I work the neck with a spokeshave, forming facets that echo the general profile to be refined later by rasp.
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Alternative text: Binding and purfling have been installed and scraped flush. I've also cut the neck pocket.
Image source: /wp-content/uploads/2016/09/DSC1892a-199x300.jpg
Alternative text: Binding and purfling have been installed and scraped flush. I've also cut the neck pocket.
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Alternative text: The neck has been fretted--I love the all-black look on this guitar..
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Alternative text: The neck has been fretted--I love the all-black look on this guitar..
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Alternative text: I've slotted the headstock and shaped and sanded the transtions and overall shape.
Image source: /wp-content/uploads/2016/09/DSC1895a-300x199.jpg
Alternative text: I've slotted the headstock and shaped and sanded the transtions and overall shape.
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Alternative text: All profiled and ready for finishing!
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Alternative text: All profiled and ready for finishing!
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Alternative text: With a porous wood like sycamore, the first finishing step is filling the pores.
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Alternative text: With a porous wood like sycamore, the first finishing step is filling the pores.
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Alternative text: Pore filled applied and mostly sanded back to wood.
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Alternative text: Pore filled applied and mostly sanded back to wood.
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Alternative text: Next, the body is dyed and then sealed with shellac. The figure comes to life!
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Alternative text: Next, the body is dyed and then sealed with shellac. The figure comes to life!
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Alternative text: Once the sides are laminated, they fit the form perfectly and show no springback.
Image source: /wp-content/uploads/2016/03/laminated-sides_1779-766x300.jpg
Alternative text: Once the sides are laminated, they fit the form perfectly and show no springback.
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Alternative text: The laminated sides are glued together in a vacuum bag.
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Alternative text: The laminated sides are glued together in a vacuum bag.
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Alternative text: Once the sides are laminated, they fit the form perfectly and show no springback.
Image source: /wp-content/uploads/2016/03/laminated-sides_1779-300x199.jpg
Alternative text: Once the sides are laminated, they fit the form perfectly and show no springback.
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Alternative text: The tail block is fitted to the inside of the rim.
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Alternative text: The tail block is fitted to the inside of the rim.
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Alternative text: This neck block allows adjustment of the neck's angle.
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Alternative text: This neck block allows adjustment of the neck's angle.
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Alternative text: I've started using solid linings (basswood in this case). Two layers are bent to shape then glued in place.
Image source: /wp-content/uploads/2016/03/clamping-linings_1785-225x300.jpg
Alternative text: I've started using solid linings (basswood in this case). Two layers are bent to shape then glued in place.
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Alternative text: The American sycamore back shows off its quarter sawn flecking.
Image source: /wp-content/uploads/2016/03/sycamore-joined_1810-300x199.jpg
Alternative text: The American sycamore back shows off its quarter sawn flecking.
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Alternative text: The back braces are radiused then glued in place in the go-bar deck.
Image source: /wp-content/uploads/2016/03/back-plate-braces-gobar_1812-225x300.jpg
Alternative text: The back braces are radiused then glued in place in the go-bar deck.
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Alternative text: These are the component parts of the rosette all bent into rings to be inlaid in the top.
Image source: /wp-content/uploads/2016/03/rosette-rings_1809-300x199.jpg
Alternative text: These are the component parts of the rosette all bent into rings to be inlaid in the top.
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Alternative text: The herringbone rosette looks sharp.
Image source: /wp-content/uploads/2016/03/top-rosette_1813-300x199.jpg
Alternative text: The herringbone rosette looks sharp.
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Alternative text: This dark binding used with violin purfling is crisp and elegant.
Image source: /wp-content/uploads/2016/02/sn22-1698-766x300.jpg
Alternative text: This dark binding used with violin purfling is crisp and elegant.
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Alternative text: Freshly cut purfling and binding ledges.
Image source: /wp-content/uploads/2016/02/sn22-1673-300x225.jpg
Alternative text: Freshly cut purfling and binding ledges.
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Alternative text: I use tape to hold the binding in place and wrap the body in cotton twill tape to clamp everything up tight.
Image source: /wp-content/uploads/2016/02/sn22-1670-300x225.jpg
Alternative text: I use tape to hold the binding in place and wrap the body in cotton twill tape to clamp everything up tight.
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Alternative text: A sharp scraper is the tool of choice for cleaning up bindings.
Image source: /wp-content/uploads/2016/02/sn22-1672-300x225.jpg
Alternative text: A sharp scraper is the tool of choice for cleaning up bindings.
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Alternative text: This dark binding used with violin purfling is crisp and elegant.
Image source: /wp-content/uploads/2016/02/sn22-1698-300x225.jpg
Alternative text: This dark binding used with violin purfling is crisp and elegant.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: Here are the parts of my new floating tenon adjustable neck joint ready to assemble.
Image source: /wp-content/uploads/2016/02/sn22-1690-225x300.jpg
Alternative text: Here are the parts of my new floating tenon adjustable neck joint ready to assemble.
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Alternative text: The tenon is glued to the neck and then bolted to the body.
Image source: /wp-content/uploads/2016/02/sn22-1693-225x300.jpg
Alternative text: The tenon is glued to the neck and then bolted to the body.
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Alternative text: Here I'm checking to make sure the top fits the rims before gluing the box closed.
Image source: /wp-content/uploads/2016/01/sn22-1645-766x300.jpg
Alternative text: Here I'm checking to make sure the top fits the rims before gluing the box closed.
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Alternative text: Here I'm checking to make sure the top fits the rims before gluing the box closed.
Image source: /wp-content/uploads/2016/01/sn22-1645-300x208.jpg
Alternative text: Here I'm checking to make sure the top fits the rims before gluing the box closed.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: Here I'm checking to make sure the back fits the rims before gluing the box closed.
Image source: /wp-content/uploads/2016/01/sn22-1640-300x225.jpg
Alternative text: Here I'm checking to make sure the back fits the rims before gluing the box closed.
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Alternative text: Last chance to make any changes before the top is glued on!
Image source: /wp-content/uploads/2016/01/sn22-1650-300x212.jpg
Alternative text: Last chance to make any changes before the top is glued on!
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Alternative text: The top and back plates are glued on in the go-bar deck.
Image source: /wp-content/uploads/2016/01/sn22-1646-199x300.jpg
Alternative text: The top and back plates are glued on in the go-bar deck.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: View of the maple back and sides. The opening in the side is a sound port.
Image source: /wp-content/uploads/2016/01/sn22-1659-300x248.jpg
Alternative text: View of the maple back and sides. The opening in the side is a sound port.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: The box is closed and sounds great.
Image source: /wp-content/uploads/2016/01/sn22-1655-300x243.jpg
Alternative text: The box is closed and sounds great.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: The heel block is made up of stacked pieces of the maple neck stock.
Image source: /wp-content/uploads/2016/01/sn22-1662-300x225.jpg
Alternative text: The heel block is made up of stacked pieces of the maple neck stock.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: Laying out the parts for the head plate.
Image source: /wp-content/uploads/2016/01/sn22-1652-300x199.jpg
Alternative text: Laying out the parts for the head plate.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: Setting the rough shape of the heel with a rasp.
Image source: /wp-content/uploads/2016/01/sn22-1664-300x225.jpg
Alternative text: Setting the rough shape of the heel with a rasp.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: The head plate is glued on and the fingerboard is pinned in place.
Image source: /wp-content/uploads/2016/01/sn22-1665-225x300.jpg
Alternative text: The head plate is glued on and the fingerboard is pinned in place.
Image source: image/gif;base64,R0lGODdhAQABAPAAAP///wAAACwAAAAAAQABAEACAkQBADs=
Alternative text: This is the stuff that didn't look like a guitar.
Image source: /wp-content/uploads/2016/01/sn22-1647-300x199.jpg
Alternative text: This is the stuff that didn't look like a guitar.

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Domain Name: CAVINSGUITARS.COM
Registry Domain ID: 1662806301_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.enom.com
Registrar URL: http://www.enom.com
Updated Date: 2017-05-22T13:52:56Z
Creation Date: 2011-06-21T09:10:06Z
Registry Expiry Date: 2018-06-21T09:10:06Z
Registrar: eNom, Inc.
Registrar IANA ID: 48
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS3.A2HOSTING.COM
Name Server: NS4.A2HOSTING.COM
DNSSEC: unsigned
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>>> Last update of whois database: 2017-08-17T22:03:35Z

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